{"id":1277,"date":"2024-01-14T10:37:57","date_gmt":"2024-01-14T10:37:57","guid":{"rendered":"https:\/\/kornrasetnarkmun.com\/?page_id=1277"},"modified":"2024-01-15T15:17:57","modified_gmt":"2024-01-15T15:17:57","slug":"cembalo-rezital-2024","status":"publish","type":"page","link":"https:\/\/kornrasetnarkmun.com\/index.php\/cembalo-rezital-2024\/","title":{"rendered":"Cembalo-Rezital 2024"},"content":{"rendered":"\n

\u00d6sterreichische Barockmusik: Adaptionen und Originalit\u00e4t<\/em><\/p>\n\n\n\n

Dienstag, 16. J\u00e4nner 2024, 16:00 Uhr<\/p>\n\n\n\n

Florentinersaal der Universit\u00e4t f\u00fcr Musik und darstellende Kunst Graz, Leonhardsstra\u00dfe 15, 8010 Graz<\/p>\n\n\n\n

Johann Georg Albrechtsberger (1736 – 1809) \/ Narkmun<\/strong><\/p>\n\n\n\n

Fantesia \u00fcber die Ouvert\u00fcre aus dem Oratorium \u201ePilgrime auf Golgatha\u201c (1781) nach eigener Bearbeitung f\u00fcr Cembalo<\/p>\n\n\n\n

H-Bn Ms.Mus 2565<\/p>\n\n\n\n

Gregor Joseph Werner (1693 – 1766) \/ Narkmun<\/strong><\/p>\n\n\n\n

Fantasia \u00fcber eine Arie \u201eO Gott der durch unerglichne St\u00e4rke\u201c aus dem Oratorium \u201eDebora\u201c (1760) f\u00fcr Cembalo<\/p>\n\n\n\n

H-Bn Ms.Mus III. 12<\/p>\n\n\n\n

Gottlieb Theophile Muffat (1690 – 1770)<\/strong><\/p>\n\n\n\n

Capricci und Fuge \u00fcber Feierliches Osterhalleluja aus Cymbalum iubilationis von Pantaleon Ro\u0161kovsk\u00fd<\/p>\n\n\n\n

Caprice d-Moll<\/p>\n\n\n\n

Canzona F-Dur<\/p>\n\n\n\n

Caprice g-Moll<\/p>\n\n\n\n

Canzona g-Moll<\/p>\n\n\n\n

Canzona F-Dur<\/p>\n\n\n\n

Fuga F-dur<\/p>\n\n\n\n

H-Bn Ms.Mus 753<\/p>\n\n\n\n

Clemens Wohanka (1737 – 1801)<\/strong><\/p>\n\n\n\n

Thema ex D. [Gregorius Joseph] Werner excerptum deductum vero inflar Praembuli a P. Clemente. [Sacri et exempti ordinis Cisterz. Professo Zyrcii (Zirc)]<\/p>\n\n\n\n

H-Bn Ms.Mus IV. 736<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u201eFuchs, das hast du ganz gestohlen.\u201c W\u00e4re Johann Nepomuk Fuchs der Plagiatspr\u00fcfung unterzogen worden, h\u00e4tte er dennoch Joseph Haydns \u201eApplausus\u201c am Cembalo nach der Auff\u00fchrungsanweisung seines Vorgesetzters  nicht gespielt. Tats\u00e4chlich war es aber Franz Nikolaus Novotny, der diese Rolle \u00fcbernahm, bevor er fr\u00fchzeitig verstarb.<\/p>\n\n\n\n

Hat Gregor Joseph Werner bei Johann Joseph Fux studiert, oder doch anderswo, m\u00f6glicherweise in Breslau oder im Stift Melk? Werner wurde jedenfalls in Ybbs an der Donau in Nieder\u00f6sterreich geboren.<\/p>\n\n\n\n

W\u00e4hrend Fran\u00e7ois Couperin in seinem Vorwort zum Troisi\u00e8me Livre seine Missbilligung \u00e4u\u00dferte, wenn jemand seine Musik mit eigenen Verzierungen spielte, bearbeitete Gottlieb Theophil Muffat H\u00e4ndels gro\u00dfe Suiten und Fugen mit eigenen Verzierungen. Die Abschrift von Muffat – die Cembalowerke seines Lehrers Johann Joseph Fux war \u201emit Sicherheit\u201c originalgetreu, oder?<\/p>\n\n\n\n

Die Orgelpartitur der B-Dur Messe, Hob. XXII:7 von Haydn, umgeschrieben von Karl Kraus, dem Regens Chori, und Zagitz, ist nicht vergleichbar mit der autographischen Fassung von Haydns Werken in der \u00f6sterreichischen Nationalbibliothek. Albrechtsberger schrieb die Stimmf\u00fchrung des Wohltemperierten Klaviers von Bach um, aber die Werke in Roskovskys Sammlung waren \u201eganz sicher\u201c originale Kompositionen von Gottlieb Muffat, oder? Jedenfalls stehen die Musikst\u00fccke von Fux aus Roskovskys Sammlung in der revidierten Gesamtausgabe.<\/p>\n\n\n\n

Dieses Konzert versucht, nicht nur den Originalklang der \u00f6sterreichischen Barockmusik<\/strong> wiederzubeleben, sondern auch die musikalische Praxis des 18. und 19. Jahrhunderts aus einem neuen Blickwinkel hinsichtlich der Originalit\u00e4t zu betrachten.<\/p>\n\n\n\n

Aber die Werke von Wohanka wird niemand zuletzt anzweifeln; sie sind sicherlich nicht gestohlen.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00d6sterreichische Barockmusik: Adaptionen und Originalit\u00e4t Dienstag, 16. J\u00e4nner 2024, 16:00 Uhr Florentinersaal der Universit\u00e4t f\u00fcr Musik und darstellende Kunst Graz, Leonhardsstra\u00dfe 15, 8010 Graz Johann Georg Albrechtsberger (1736 – 1809) \/ Narkmun Fantesia \u00fcber die Ouvert\u00fcre aus dem Oratorium \u201ePilgrime auf Golgatha\u201c (1781) nach eigener Bearbeitung f\u00fcr Cembalo H-Bn Ms.Mus 2565 Gregor Joseph Werner (1693 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1277","page","type-page","status-publish","hentry","entry"],"aioseo_notices":[],"yoast_head":"\nCembalo-Rezital 2024 - Kornraset Narkmun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kornrasetnarkmun.com\/index.php\/cembalo-rezital-2024\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cembalo-Rezital 2024 - Kornraset Narkmun\" \/>\n<meta property=\"og:description\" content=\"\u00d6sterreichische Barockmusik: Adaptionen und Originalit\u00e4t Dienstag, 16. 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